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MALEBO LE MALIMO (Malebo and The Cannibals) JESUS CHRIST IN THE PICTURE By Leseko Kelly Tsehlana

I admit there is something shameful about eavesdropping, but looking back on the many months of Covid-19 I have devoted to this ignoble practice I must confess I am likely to remain an eavesdropping cad for ever: Malebo and Cannibals Jesus Christ in Picture. Not all conversations arrest my interest. No, it is only when I come within earshot of conversing, laughing and noisy group of people that this sneakish streak uncoils within me, and I listen breathlessly, relishing every word as a child relishes a bed-time story and of course, if the story has heavenly picture in it, trust me, I listen! I can think of several fascinating anecdotes gleaned from this shady side of my career. I have decided, however, a little reluctantly I must confess, to confine myself to one the less exciting conversations I have heard, if only because it concerns you and me. I was relaxing in my house one Saturday evening some months ago,minding Covid-19 challenges when suddenly my ears reached out to the ne...

Apollo Mohlominyane Gabriel Ntabanyane`s Biography

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  Name: Mohlominyane Gabriel Ntabanyane Performance name: Apolo Date of Birth: 10-May-1942 Place of Birth: Mats`ekheng ha Morena Hlajoane Peete Lesaoana Peete Facebook page: Apollo GM Ntabanyane Totem Name: Lets`ekha Wifes: 12, deceased 5 and 7 alive Stage attire: blanket woven in the animal tail shape Active wife: wife #9 `Makoenane Ntabanyane Children: 35, deceased 12 and 23 alive and most of them sing with Apolo (their father) Parents: Mosiuoa Ntabanyane and `Mankopane Ntabanyane Early Childhood life: Born a shepherd and stayed in the cattle post Favourite instrument (at childhood stage): Sekhankula Early work life:   went to South African mines from 1960s to 1975 Professional Music Career:   Started in 1975 First Collaboration: Ntate Apolo worked with his cousin and both of them were vocalists and played koriana. Name of the Band: Tau ea Mats’ekha Basotho Group (1975) Fir...

Objects and Museum by Leseko Tsehlana

  Our lives are bound up with objects. Museums are evidence of our deep preoccupation with the things that surround us, whether natural or the product of human endeavor. Why do we keep stuff, what do we learn from it-and what does our fascination for objects from our past tell us about being human today? Objects bear the marks of how they have been used, giving us access to ideas that may have too fundamental to a person`s life ever to have been written down. Objects give us a special kind of access to the past. They allow us to touch something that was used by people, and thus get a physical feel for their lives. We can learn about past society’s values from what they kept, and what materials they made things from-or about daily life from such simple things as Mokorotlo and weapons. Objects provide a very tangible link between us and people of past societies and illuminate individual lives.